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Warning: include(../press/Balancing his two formidable identities of being a Van Cleef and a counsellor for design house Cartier, Olaf Van Cleef finds himself in his art, learns PRIYADERSHINI S.after a chat with the high-profile artist A maze of colourful squares and circles, a labyrinth of meandering lines, bursts of colours, gleaming tiny crystals and shiny gems on paper is artist Olaf Van Cleef’s mind. From the renowned Dutch family, Van Cleef, he is an advisor to design house, Cartier. Caught between these two formidable identities he escapes into the colourful world of art. “It is not a nice background because it is very heavy. In between all this where is Olaf?” he asks, and places himself lightly, gently, in all his works. He is there in the chariot, listening intently to Krishna, or snaking as a symbol through the maze of squares and circles, dots and designs. But his ‘heavy’ background cannot be denied nor does he do that. “Only 15 Van Cleefs are left from that big
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Warning: include() [function.include]: Failed opening '../press/Balancing his two formidable identities of being a Van Cleef and a counsellor for design house Cartier, Olaf Van Cleef finds himself in his art, learns PRIYADERSHINI S.after a chat with the high-profile artist A maze of colourful squares and circles, a labyrinth of meandering lines, bursts of colours, gleaming tiny crystals and shiny gems on paper is artist Olaf Van Cleef’s mind. From the renowned Dutch family, Van Cleef, he is an advisor to design house, Cartier. Caught between these two formidable identities he escapes into the colourful world of art. “It is not a nice background because it is very heavy. In between all this where is Olaf?” he asks, and places himself lightly, gently, in all his works. He is there in the chariot, listening intently to Krishna, or snaking as a symbol through the maze of squares and circles, dots and designs. But his ‘heavy’ background cannot be denied nor does he do that. “Only 15 Van Cleef in /home/olafvancleef/olafvancleef.org/archives/index.php on line 162
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